Ron Browz Discography

Artist
Lumidee

Amerie

Lloyd Banks

Lloyd Banks

50 Cent f/

Yung Buck

Jae Millz

F/ Jada Kiss

Tony Yayo

Snoop f /
50 Cent

Lloyd Banks Song
“You Got Me”
“After Everything”
“Help”
“PlayBoy Part 2”
“Ill Whip Ya Head Boy”
“Bring It Back”
“G- Sh*t”
“Oh No”
“Play Boy”
Album
TBA
Because I Love
It
Rotten Apple
Rotten Apple
Get Rich or
Die Tryin
Soundtrack

Funk Master Flex Car Show Album

Thoughts of a Predicate Felon

Rhythm & Gangster

Hunger For More
Release Date@
2007

2007

2006

2006

2005


2006


2005

2004

2004
Label
TVT Records
Sony

G-Unit/Interscope

G-Unit/Interscope

G-Unit/Interscope

Koch Records

G-Unit/Interscope

Doggystyle/Star Trak

G-Unit/Interscope
Status
1.5 Platinum

Gold
1.5 Platinum

1.5. Platinum

Ludacris “Blow it Out” Chicken and
Beer
2003 Def Jam 2.5 Platinum
DMX “F*ck Yall”
Grand Champ 2003 Def Jam 1x Platinum

Lil Kim “Whatz the
Word”
La Belle Mafia 2003 Atlantic 1x Platinum
Nas “Last Real
N*gga Alive”
God’s Son 2002 Columbia 1.5 Platinum

Fat Joe “We Run
This”
Loyalty 2002 Atlantic Gold
Nas “Ether” Stillmatic 2001 Columbia 2x Platinum
Big L “Ebonics” Big Picture 2000 Rawkus/
Priority
Gold
Big L “Size Em Up” Big Picture 2000 Rawkus/
Priority
Gold
Big L “Causalities of
A Dice Game
Big Picture 2000 Rawkus/
Priority
Gold


Big L “The Heist” Big Picture 2000 Rawkus/Priority
Priority
Gold

Ron Browz Bio

The “street” audience is often neglected by many producers in favor of creating popular hits for mainstream artists. Since the late ‘90s, Harlem native Ron Browz has made it his business to bring both worlds together. In his quest to keep the spirit of street Hip Hop alive, he has received little credit for some major accomplishments. Fortunately, he is now on the verge of receiving proper accolades for his work.

Influenced by the sounds of DJ Premier, Dr. Dre, and Havoc, Ron’s first big break came in 2000 when he produced four songs on the late Big L’s album, The Big Picture, including the classic track “Ebonics”. Big L taught Ron about the music business, and exposed him to a new network of contacts. The experience gave Ron reason to take the game seriously, and his career began to grow exponentially.

When he gave some beats to Queensbridge emcee Nas during the recording of the 2001 double-platinum album Stillmatic, Ron Browz was not expecting history to be made. Nas used Ron’s track as the foundation for his lyrical battle classic “Ether”, a scathing comeback to Jay-Z “The Takeover”. “When I did the beat and Nas picked the track, I didn’t know that’s what it was gonna be for”, explains Ron. “To this day I feel honored. I get a lot of respect for it when people meet me.”

The credibility of “Ether” sparked a demand for the Ron Browz sound. His reputation for crafting impactful records grew with songs like the Ludacris smash hit “Blow It Out” from the 2003 album Chicken N Beert, which has sold over 2.5 million copies to date. Other platinum-plus albums with Ron’s magic touch include Lloyd Banks’ Hunger For More with the song “Playboy”, DMX’s “F*ck Y’all” on the Grand Champ LP, “Whatz The Word” on Lil Kim’s La Bella Mafia album, and the Snoop Dogg collaboration with 50 Cent “Oh No” on Snoop’s 2004 project, Rhythm & Gangsta: The Masterpiece.

Faced with the fact that Hip Hop fans know his track record but not his name, Ron Browz humbly acknowledges that this should not be an issue much longer. “Every day a different person learns about me, and I want my name to be out there with the big names,” he states confidently. “I bring raw talent to the game. I taught myself everything about making beats. For a person with eight gold and platinum plaques, I still don’t get that recognition. When people hear my name I want them to say ‘I know it’s some fire.”

The sky is the limit for Ron Browz, as he awaits the release of upcoming work with various artists including 50 Cent, Tony Yayo, Killer Mike, Jae Millz, and T-Rex, who is an artist on Ron’s own Money Ave label. He will continue to bring more street flavor in his work with Hip Hop’s elite.

Ron has let his music do the talking for him up to this point, and now it is time for the world to know the man behind the boards. He wants to follow in the footsteps of Death Row and Bad Boy to bring Money Ave to prominence in the game. “We are the next biggest thing,” he explains. “Artists from Harlem are bringing a good deal back to music.”

For interviews and press information, contact dove@tygereye.net

For production inquiries, contact bigfuz@aol.com